![]() ![]() The nod that I question, though, is the unnecessary orange-colored nod to Gone with the Wind (1939). ![]() In a movie where Williams' now beloved musical work surpasses the film itself, War Horse comes as a technically well done film that audiences love to hate because they were offered anything new, even if they were not offered something absolutely terrible either. Even if the film fails to impact and fills the story with underdeveloped characters and subplots, his now clichéd trademarks of "passion", "adventure" and "courage" are still present and by no means he is a filmmaker without a heart. Sure, he is a decaying director that, after more than four decades in the business, has emptied all of his talent in the feature films that he has directed and produced, but in no way this is the worst thing he has done. There is no need to exaggerate over Spielberg's typical overtly sentimental stunts in his "drama" stories. ![]()
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